Monday, September 18, 2023

II - Art Analysis


Elements of "The Nightmare"

    The Nightmare (Fuseli) is an iconic and imaginative oil painting from the late 18th century that depicts a young woman dressed in a white evening gown, lying in an exaggerated pose across a mattress. She appears to be sleeping, her arms hanging nonchalantly above her head and her eyes closed. A nude creature with red eyes and pointed ears sits atop her torso, and behind them stands a black horse, pale in the eyes and nearly completely cloaked in shadow.

The Nightmare (1781)

Henry Fuseli (1741-1825)

    Fuseli's use of different elements of art really helps to strengthen the themes and symbolism depicted in this painting.
    There are aspects of "good v. evil" or "light v. dark". This is supported by the symbology in the painting, that of a gargoyle-like male creature and a literal dark horse, as well as the tones and colors used in the painting. There are patterns in the symbols of the painting: the sleeping woman, the perching creature who has been commonly considered an incubus or mara, "a spirit that, in heathen mythology, was related to torment or to suffocate sleepers" (Paulson), and of course the "Night-Mare". The texture of the artwork is smooth, taking the form of a 2D representation of a three-dimensional space. The lines are flowing and suggestive of movement, rigidness, suppleness, or angularity in anatomical forms, biological features, fabrics, and furniture.


(Line, Shape, Tone, Color, Pattern, Texture, Form)


Fuseli, Henry. The Nightmare. Oil on Canvas, 1781. Detroit Institute of Arts, 5200 Woodward Ave, Detroit, MI 48202.

Paulson, Noelle. “Henry Fuseli, the Nightmare.” Khan Academy, 2018, www.khanacademy.org/humanities/becoming-modern/romanticism/romanticism-in-england/a/henry-fuseli-the-nightmare.

Artyfactory. “The Visual Elements of Art.” Artyfactory.com, 2014, www.artyfactory.com/art_appreciation/visual-elements/visual-elements.html.

Monday, September 4, 2023

I - Introduction

    Hello, my name is Tory Reese. I am a junior working on a major in psychology and a minor in elementary education at the University of Alaska Fairbanks. I am a distance student living in Tetlin, AK. Here, I work as a paraprofessional with grades K-8, focusing more on lower elementary grades. I have lived in Alaska for nearly 10 years in total. 

    Art has always been one of my greatest passions in life. As soon as I could hold a crayon, I began to draw on everything. My love for this kind of creation grew stronger as I started sketching in my early teens, focusing predominantly on fantasy and floral pieces and attempting to hone my skills without formal instruction. I later had the opportunity to explore other avenues of art in high school, like painting, ceramics, and photography. It has been some time since I have practiced, but I hope to be so inspired by this course that I get back into my work.

The Soul of the Rose (1908)
The Magic Circle (1886)
  
John William Waterhouse (1849-1917)

    It is hard to choose one favorite work, but it's wonderful that two of my favorite pieces are painted by the same artist! John William Waterhouse was the first artist to captivate me with nearly every piece. Much of his work is inspiring and a pleasure to marvel at. However, these particular paintings are precious to me. They represent the two major sides of myself and how I see the world. The Soul of the Rose reminds me of all the beauty and wonder in life and brings me feelings of innocence and harmony or presentness. It captures the same love and adoration I feel for the natural world. The Magic Circle reminds me of a universal balance we must abide by and the give and take we all must appreciate. It depicts themes that are symbolic and familiar to me and that I find comforting, albeit alluring. Harmony and balance are the pillars upon which I place my idea of ultimate equanimity. I wish to see these paintings for myself someday. 


IX - Non Western

  Non-Western Art Kanō School      Non-western art is creative work that isn't originally from European or North American artists or cu...